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This the baddest ass montage of film clips I’ve ever seen. Props to Paul Proulx over at Vimeo.
Laughing my ass off; really.
Here are some trailers that will be aired during the Super Bowl. Courtesy of TRAILER ADDICT. Land of the Lost looks great.
LAND OF THE LOST
GI JOE
STAR TREK
TRANSFORMERS
YEAR ONE
UP
I haven’t posted in sometime; duty calls. I ran across this older list from 2007 from another site and just loved it. I would have added and/or omitted a few of thse, but who can argue with this one ?
This post is via Altiustutasarim. Here are the first 5 on the list, click the following link for the rest of the artyHERE.
1. Robert Duvall, Apocalypse Now (1979): You smell that? Do you smell that? Napalm, son. Nothing else in the world smells like that. I love the smell of napalm in the morning. You know, one time we had a hill bombed, for twelve hours. When it was all over I walked up. We didn’t find one of ‘em, not one stinkin’ dink body. The smell, you know that gasoline smell, the whole hill. Smelled like… victory. Someday this war’s gonna end…
2. Jack Nicholson, A Few Good Men (1992): You can’t handle the truth! Son, we live in a world that has walls, and those walls have to be guarded by men with guns. Who’s gonna do it? You? You, lieutenant Weinberg? I have a greater responsibility than you can possibly fathom. You weep for Santiago, and you curse the Marines. You have that luxury. You have the luxury of not knowing what I know – that Santiago’s death, while tragic, probably saved lives; and my existence, while grotesque and incomprehensible to you, saves lives.
3. Marlon Brando, On The Waterfront (1954): Remember that night in the Garden? You came down to my dressing room and you said ‘kid, this ain’t your night. We’re going for the price on Wilson’… You was my brother, Charlie. You shoulda looked out for me a little bit so I wouldn’t have to take them dives for the short-end money. I coulda had class. I coulda been a contender. I coulda been somebody, instead of a bum. Which is what I am. Let’s face it.
4. Samuel L Jackson, Pulp Fiction (1994): The path of the righteous man is beset on all sides by the inequities of the selfish and the tyranny of evil men. Blessed is he who, in the name of charity and good will, shepherds the weak through the valley of darkness, for he is truly his brother’s keeper and the finder of lost children. And I will strike down upon thee with great vengeance and furious anger those who attempt to poison and destroy my brothers. And you will know my name is the Lord when I lay my vengeance upon you.
5. Michael Douglas, Wall Street (1987): The point is, ladies and gentleman, is that greed – for lack of a better word – is good. Greed is right. Greed works. Greed clarifies, cuts through and captures the essence of the evolutionary spirit. Greed, in all of its forms – greed for life, for money, for love, knowledge – has marked the upward surge of mankind. And Greed – you mark my words – will not only save Teldar Paper but that other malfunctioning corporation called the USA.
You’re going to have to hit Pause on these Video Players as each one starts to auto play. It’s no big deal.
I was browsing around and stumbled across some really fun webseries via Fangoria. I love this new frontier of web distrubution. These web series are a lot of fun and really, much more satisfying than what’s in theaters these days. I like this vibe of how these filmmakers are making films they want to make and not trying to cater to white bread America.
First up, Vampire Killers. Hot chicks making out, great sound design, spooky and dark atmosphere. Good times.
Next, Blood on the Highway
And finally, Deathstop
Nothing we haven’t seen before, but it’s not what’s been done, but how one does it.
See you next time.
‘Solace’ grosses $70.4 million at box office.
The biggest opening ever for a James Bond title and a major victory for a film franchise nearly half a century old. Previous record-holder for best Bond opening was the $47.1 million for “Die Another Day.” Director Marc Forster’s “Solace,” playing in 3,451 runs, opened 74% higher than the 2006 critically acclaimed “Casino Royale,” which gave a new look and feel to the Bond franchise, as well as a new 007–Daniel Craig
Other cool news; Trailers and Casting news:
The Latest Watchmen Trailer
2012
Never before has a date in history been so significant to so many cultures, so many religions, scientists, and governments. 2012 is an epic adventure about a global cataclysm that brings an end to the world and tells of the heroic struggle of the survivors.
Inglorious Basterds final casting with Jackson, Cheung
Samuel L. Jackson has muscled his way into a part as a rarely present narrator and Maggie Cheung, who won the Cannes Best Actress prize in 2004 for Clean, will play Madame Mimieux, the French cinema matron who cares for Basterd’s protagonist Shoshana (Mélanie Laurent) when she is being searched for by the Nazis. Cheung won the role over other European actresses once rumored for the part including Catherine Deneuve, Nastassja Kinski and Isabelle Hupport.
And yes, we have the script; do a search and you’ll find it on our site.
Australia
This looks radical.
Australia is an epic and romantic action adventure, set in that country on the explosive brink of World War II. In it, an English aristocrat (Nicole Kidman) travels to the faraway continent, where she meets a rough-hewn local (Hugh Jackman) and reluctantly agrees to join forces with him to save the land she inherited. Together, they embark upon a transforming journey across hundreds of miles of the world’s most beautiful yet unforgiving terrain, only to still face the bombing of the city of Darwin by the Japanese forces that attacked Pearl Harbor. With his new film, Luhrmann is painting on a vast canvas, creating a cinematic experience that brings together romance, drama, adventure and spectacle.
The Spirit
That’s all for today; I’ve got screenplays to develop.
This morning story courtesy AICN via Jenna Busch and UGO Movie Blog.
It’s been quiet since THE BOSTON STRANGLERS was announced last June as a vehicle for Brian De Palma, but, according to producer Gale Anne Hurd (Terminator 2, The Abyss, Aliens, The Terminator and De Palma’s Raising Cain), it’s still in the pipeline and slated for a Spring production. The screenplay is based off the book “The Boston Stranglers: The Public Conviction of Albert DeSalvo and the True Story of Eleven Shocking Murders,” by Susan Kelly.
The Master.
It’s based on Susan Kelly’s book called The Boston Stranglers, because everything that we think we know is wrong. There was a film made right after the events called THE BOSTON STRANGLER starring Tony Curtis and Henry Fonda. And it posits that Albert DeSalvo was the Boston Strangler, but the truth is, if you scratch beneath the surface, Albert DeSalvo was never charged with the crimes. He was actually incarcerated for another series of assaults, and there was not one shred of evidence linking him to the crimes. So the film is very much (about) how did things go so wrong, that to this day we all think Albert DeSalvo was tried and convicted as the Boston Strangler?
The screenplay draft by Alan Rosen went over 160 pages starts off with DeSalvo’s first foray into the crimes as he talks his way into the homes of desperate women pretending to be a modeling scout and then dramatizes the police investigation, the intense media scrutiny, and DeSalvo’s jailhouse confession to convicted murderer George Nassar. It’s kinky and bloody and chalk full of conspiracy; standard faire for De Palma, a certified master of the genre. I personally loved The Black Dahlia and if Brian’s name is on it, I’ll be satisfied just watching the direction and visual tour de force he commands. No one, and I man, no one understands films visual language better than De Palma, cut from the cloth of Hitchcock, he is a master.
Spring of 2009 with a 2010 release date is the projection on this one.
You can read the Busch interview with Gale and for up to date news from the best De Palma site on the net, check out De Palma Ala Mod and you can talk about Brian in our own forums Here.
In other cinejunkienessism news; what’s another post without some Inglorious Basterd’s news ? And before you message me to let me know I spelled the title wrong again, it has been confirmed that Quentin Tarantino’s upcoming WWII-spaghetti western remake of Enzo Castellari’s Inglorious Bastards (which filming began this month), that QT’s “misspelled” title is official.
When the script (which you can download here) made its onto the internet (accident, I’m sure) this summer, many simply thought he was a poor speller but according to the Weinstein Co. and Universal Pictures, who confirmed the title after releasing a new synopsis for the film:
“Inglourious Basterds begins in German-occupied France, where Shoshanna Dreyfus (Mélanie Laurent) witnesses the execution of her family at the hand of Nazi Colonel Hans Landa (Christoph Waltz). Shosanna narrowly escapes and flees to Paris, where she forges a new identity as the owner and operator of a cinema.
Elsewhere in Europe, Lieutenant Aldo Raine (Brad Pitt) organizes a group of Jewish soldiers to engage in targeted acts of retribution. Known to their enemy as “The Basterds,” Raine’s squad joins German actress and undercover agent Bridget Von Hammersmark (Diane Kruger) on a mission to take down the leaders of The Third Reich. Fates converge under a cinema marquee, where Shosanna is poised to carry out a revenge plan of her own…”
Tarantino’s international cast includes Brad Pitt Diane Kruger, Mike Myers, Eli Roth, Cloris Leachman, Rod Taylor, Daniel Brühl (The Edukators), Samm Levine (Freaks and Geeks), Til Schweiger (King Arthur), B.J. Novak (The Office), Michael Fassbender (300), Mélanie Laurent (Days of Glory), Michael Bacall (Death Proof), Omar Doom (Death Proof), Julie Dreyfus (Kill Bill Vol. 1), August Diehl (The Counterfeiters), Richard Sammel (Casino Royale), Christian Berkel (Black Book), and more. The film reunites Tarantino with Kill Bill Vol. 1 and 2 cinematographer Bob Richardson, longtime production designer David Wasco, Oscar-nominated editor Sally Menke (Pulp Fiction), and producer Lawrence Bender.
And here is another pics from the set of the newly constructed French farmhouse that will open Inglorious Bastards in a soon-to-be-classic and nail-biting fashion. The window on the far right will presumably frame and foreshadow a showdown between the female main character and the Jew Hunter
The Farmhouse from the scripts opening scene.
That’s all for today. I have some writing to do and then it’s off to work.
A quick post, gotta run, date with an angel.
This link courtesy EW
Image Courtesy AICN
Pitt
Here’s the first look at Brad Pitt in costume on the set of Quentin Tarantino’s Inglorious Basterds. Pitt has the starring role in this remake of the Dirty Dozen-ish WWII adventure as Lt. Aldo Raine, known to the Germans as Aldo the Apache for his practice of scalping his victims.
And if you wonder why Bastard’s, is spelled Basterd’s, read the script (Search this site).
I CANNOT WAIT FOR THIS.