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Jennifer’s Body tells the story of a seemingly-perfect cheerleader whose life is thrown into disarray when she gets possessed by a demon, begins eating boys in her small town, then faces off against her best friend and the Satan-worshipping band that made her evil.
Edward Dalton is a researcher in the year 2019, in which an unknown plague has transformed the world’s population into vampires. As the human population nears extinction, vampires must capture and farm every remaining human, or find a blood substitute before time runs out. However, a covert group of vampires makes a remarkable discovery, one which has the power to save the human race.
You’re going to have to hit Pause on these Video Players as each one starts to auto play. It’s no big deal.
I was browsing around and stumbled across some really fun webseries via Fangoria. I love this new frontier of web distrubution. These web series are a lot of fun and really, much more satisfying than what’s in theaters these days. I like this vibe of how these filmmakers are making films they want to make and not trying to cater to white bread America.
First up, Vampire Killers. Hot chicks making out, great sound design, spooky and dark atmosphere. Good times.
Next, Blood on the Highway
And finally, Deathstop
Nothing we haven’t seen before, but it’s not what’s been done, but how one does it.
See you next time.
AFI. The American Film Institute. Recently gave us yet another list, the 10 Top 10. Covering categories from Comedy to Drama to Animation and Western, Sports and Mystery. Noticeably off the list ? The category of Horror.
Horror and the art of scaring audiences has been around for a hundred years, not too mention old legends of folklore and Fairy Tales for children. The genre is a staple of Cinema and storytelling as a whole. Why the omission ?
Nate Yapp put it nicely over at Classic Horror with the following word bite on AFI’s Top 100 (100 Years, 100 Movies)
A scant four horror films were worthy of the AFI’s mention: Psycho (#14), King Kong (#41), Jaws (#56), and The Sixth Sense (#89). Significant amongst the omitted is Frankenstein, which held the 87th slot on the same list ten years ago.
I’m not sure which I’m more annoyed with — the poor representation of the genre in general, or the dropping of what I consider to be the cultural milestone in Hollywood Horror. I’m not going to dig into their other selections; each film on the list has its champions and they have spoken. It’s just a bummer that the AFI’s creative think tank is treating horror like the poor cousin. Given the glitzy Hollywood focus of the list, I’m not expecting Night of the Living Dead to make the cut, but why not Rosemary’s Baby? If not The Texas Chain Saw Massacre, what about The Exorcist (which is not a film I enjoy, but it made #3 on the AFI’s own 100 Years… 100 Thrills list)?
1922’s Nosferatu
Makes no sense to me and is a virtual slap in the face to all moviegoers. We’re not talking about harcore horror or cultish fanboy stuff, I’m talking about omitting some of the greatest films in history, films that scare people and leave legitimate impact on them.
Whether outright horror (looks like, tastes like, feels like; it must be …) or horror sub-genres, Great, great films have been made that are screaming for attention
Four films listed on this one, and not a single category of respect in their latest 10 Top 10. I personally don’t even consider Animated Films to be real films (it’s my own spin) and am wondering how they could not come up with the Top 10 Best ever horror films for the respect of the genre.
Many a director has gotten their start in horror while others, even great ones have built entire bodies of work in the subject matter.
The Masta
Masters of the genre:
John Carpenter (The Thing, Escape from New York, The Fog, Halloween), Alfred Hitchcock, forever known as the Master of Suspense (The Birds, Psycho) , Brian De Palma (Carrie, Dressed To Kill, Sisters), Cronenberg (Rabid, The Brood, Scanners, Videodrome, The Dead Zone, The Fly), George Romero (The Dead Trilogy), Sam Raimi (The Evil Dead Series), Dario Argento (Suspiria), Lucio Fulci, Wes Craven (The Last House on the Left, The Hills Have Eyes, A Nightmare on Elm Street), Rob Zombie (House of 1000 Corpses, The Devil’s Rejects) and Richard Donner (The Omen)
Not too mention, notable Directors who got their start in Horror
Peter Jackson (Bad Taste, Heavenly Creatures, The Frighteners) and Steven Spielberg (Jaws) come to mind. I would love to see Steven tackle a legitimate horror film.
Which brings me to my (and it seems many) all time favorite horror films. It takes a lot to scare m in a movie, to really have any kind of serious affect. I’m making this list an unofficial AFI list, it is authoritative.
10. Salem’s Lot
‘Salem’s Lot is a 1975 horror novel written by Stephen King, and was the author’s second published novel. The title King originally chose for his book was Second Coming, but he later decided on Jerusalem’s Lot. The publishers, Doubleday, shortened it to the current title, thinking the author’s choice sounded too religious.
I don’t think there’s ever been a film that scared me more that was a Made For TV movie. Directed by Tobe Hooper, this film left scars on my child hood ass.
9. The Texas Chainsaw Massacre
The Texas Chain Saw Massacre is a 1974 American independent horror film written, directed, and produced by Tobe Hooper and Kim Henkel. So bizarre it could happen. Which is exactly what makes a horror film scary. Realizing that it could be you.
8. Carrie
Carrie is a 1976 American horror film directed by Brian De Palma and written by Lawrence D. Cohen, based on the novel by Stephen King. The film and the novel deal with a socially outcast teenage girl, Carrie White, who discovers she possesses telekinetic powers after being subjected to both physical and mental harassment by her peers, teachers, and her mother. The film stars Sissy Spacek, Piper Laurie, Betty Buckley, Amy Irving, Nancy Allen, William Katt and John Travolta.
Regarded as a watershed in the horror genre and is arguably one of best feature film adaptations of a Stephen King work.
7. Rosemary’s Baby
Rosemary and Guy Woodhouse move into an apartment in a building with a bad reputation. They discover that their neighbours are a very friendly elderly couple named Roman and Minnie Castevet, and Guy begins to spend a lot of time with them. Strange things start to happen: a woman Rosemary meets in the washroom dies a mysterious death, Rosemary has strange dreams and hears strange noises and Guy becomes remote and distant. Then Rosemary falls pregnant and begins to suspect that her neighbours have special plans for her child.
6. Jaws
Favorite film of all time, first film I remember seeing. My brother asked me “Jaws ? A horror film?” I said “Can you go in the ocean and not think for just one moment that Bruce is coming?”
5. Night of the Living Dead
Played to death in the public domain, I remember seeing this growing up and being mesmerized by how freaked out I was.
Here, watch the entire film for free
4. The Exorcist
Ain’t no intro needed
3. Psycho
2. The Shining
1. Halloween
Fearnet
I recently stumbled onto a couple killer websites, one featuring all horror, thriller and suspense movies and the other with a variety of entertainment options; for free. What particularly got my attention was a 30 Days of Night Series (I loved 30 Days of Night). Sort of independently made with Ghost House Pictures producing (Sam Raimi and Rob Tapert’s company) and the same company remaking The Evil Dead.
Crackle
Also being mentioned over at Steve Niles site, the creator of the graphic novel, is that a comic adaption of this series is being adapted. First a little about that:
30 Days of Night
The comic book provides an entry into FEARnet’s all-new 30 Days of Night inspired web series – 30 Days of Night: Dust to Dust — that will debut July 17th on FEARnet.com. Produced for FEARnet by Ghost House Pictures, the joint-venture between Sam Raimi, Rob Tapert and Mandate Pictures, 30 Days of Night: Dust to Dust will once again unleash the terror of Steve Niles and Ben Templesmith’s ground-breaking 30 Days of Night graphic novels. The new six episode web series will be bolstered by the star power of one of today’s hottest femme fatales: the stunning Shawnee Smith of the blockbuster horror franchise Saw as well as The Island, Armageddon and Leaving Las Vegas. The series will also feature appearances by horror cult favorites Ken Foree (Dawn of the Dead) and Ted Raimi (Evil Dead Series).
And a little about FEARnet
FEARnet, the world’s premier horror and thriller destination on demand, online and on mobile devices is a cutting-edge, multi-platform horror network with an unrivaled modern horror library bringing together the nation’s leading provider of cable, entertainment and communications products and services …. and yadda yadda yadda.
And check out 7 (and counting) webisodes below of 30doN – BLOOD TRAILS courtesy of
http://crackle.com/
From Crackle:
From Crackle:
From Crackle:
From Crackle:
From Crackle:
From Crackle:
I first heard of the film Automaton Transfusion in 2006 on dvxuser.com (my other online home). Shot for $30,000 in 9 Days, the film deals with a zombie outbreak created by the military and the local high school students banding together to survive. This was a movie after my own heart; I have an affinity for zombie films, especially one shot on the bad ass mojo making DVX100-24p.

Yesterday, after having the internet down, I was cruising my cables ON-DEMAND and saw the name Automaton Transfusion. I was like “Oh Hell yes!”, purchased it without a blink and was left completely entertained.
Now, the movie is not without its flaws. From the technical side; line axis crossing, a boom mic dropping into the frame and not the greatest, but competent audio, to the artisitic merit; a storyline that more often than not, seems forced into exposition and fill.
But, you gotta put things in perspective. Before Peter Jackson made The Lord of the Rings, he made Dead Alive (Brain Dead), before Raimi made Spiderman he made The Evil Dead. And those films are close as bad (bad, good) as this one. Low budget, splatterfest, guerilla horror filmmaking. You gotta love it, where most of these films fail, this one succeeds with empathy.